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                        <loc>https://yanfang.fr/page-02-pipilotti-rist-1</loc>
            
            
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                                            <image:caption>Exhibition poster of “Pipilotti Rist: Your Palm is My Universe,” 2025, image courtesy UCCA Conter for Contemporary Art.</image:caption>
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                                            <image:caption>“Dream Time,” exhibition poster, image courtesy UCCA Center for Contemporary Art.</image:caption>
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                                            <image:caption>“Dream Time,” exhibition poster, image courtesy UCCA Center for Contemporary Art.</image:caption>
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                                            <image:caption>Installatoin view of work by Itziar Okariz, in “Dream Time,” 2024, Beijing. Image courtesy UCCA Center for Contemporary Art.  </image:caption>
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					Installation view of “Optimized Heart : David Douard / Liu Shiyuan,” 2023, courtesy UCCA Center for Contemporary Art.&lt;br /&gt;

				
			
		
	
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                                            <image:caption>Installation view of “Optimized Heart : David Douard / Liu Shiyuan,” 2023, courtesy UCCA Center for Contemporary Art.&lt;br /&gt;

				
			
		
	
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                        <loc>https://yanfang.fr/page-05-liuxiaodong</loc>
            
            
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                                            <image:caption>Installation view of “Liu Xiaodong: Your Friends,” Shanghai, 2021. Image Courtesy UCCA Center for Contemporary Art.</image:caption>
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                                            <image:caption>&lt;i&gt;Liu Xiaodong: Your Friends&lt;/i&gt;, catalogue published by Zhejiang Photography Press, 2022. Image courtesy UCCA Center for Contemporary Art.</image:caption>
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                        <loc>https://yanfang.fr/page-06-rearview-landscape</loc>
            
            
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                                            <image:caption>Installation view of  work by Su Yu Hsin, in “Rearview Landscape, or a Trip of Ownership,” 2020, courtesy UCCA Center for Contemporary Art.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2693932821721094080085776183446/Capture-decran-2025-12-13-a-14.13.08.png</image:loc>
                                            <image:caption>Exhibition Poster of “The Rearview Landscape, or a Trip of Ownership,” 2021, image courtesy UCCA Center for Contemporary Art.</image:caption>
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                                            <image:caption>“&lt;a href=&quot;https://ucca.org.cn/en/program/the-rearview-landscape-series-i-m-abendrot/&quot; target=&quot;_blank&quot;&gt;Im Abendrot&lt;/a&gt;,”  performance by Xiaoshi Vivian Qin, in “The Rearview Landscape, or a Trip of Ownership,” at UCCA Dune, 2021. Image courtesy UCCA Center for Contemporary Art. </image:caption>
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                                            <image:caption>Installation view,  “The Rearview Landscape, or a Trip of Ownership,” 2020, courtesy UCCA Center for Contemporary Art.</image:caption>
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                        <loc>https://yanfang.fr/page-07-drifting-realities</loc>
            
            
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